Kanye West, a rapper, musician and producer known as Ye, has had quite a career. After attending Chicago State University for Music and working to produce for artists like Jay-Z and Jermaine Dupri, West gained international success and recognition for his debut album, “The College Dropout.” West released nine more solo and three collaborative albums, becoming known for his innovative wordplay and musical style.

 In the prime of his career, West was at the top of the world with five number-one hits on the Billboard Hot 100 throughout his career. However, West lost popularity and album sales when, in Oct. 2022, he was exposed by past business partners for Antisemitic comments, as reported by CNN. Additionally, West wore a “White Lives Matter” T-shirt in Paris, which earned further backlash from the fashion and music industry. 

 West stood by his shocking slew of hate speech as celebrities and companies condemned him, and Adidas eventually cut ties with West due to the Antisemitic comments and misconduct in the workplace. 

“Vultures 1” was the first musical work West has released since his brash antisemitism set his career aflame in 2022. “Vultures 1” is a collaborative album with rapper, producer, and singer-songwriter Ty Dolla $ign, released under their collective name, ¥$. “Vultures 1” was released after three singles, “Vultures,” “Carnival” and “Talking/Once Again.” Unlike West’s previous albums, this album rolls back on religious themes and instead focuses on themes of power, money and, most frequently, West himself. Due to the large amounts of mixed reviews from critics and listeners alike, I listened through “Vultures 1,” hoping to get a glimpse into the mind of the man who can only be described as the sun to his own Icarus.

The album’s first six songs left a horrible impression and had the same glaring problems throughout the tracks. Firstly, the instrumentals in the background of many songs were stagnant and boring, making the songs feel uncomfortably long. Secondly, there was an unpleasant pattern, especially in “Hoodrat” and “Back to Me,” where the same word, phrase or hook was sung or repeated with no variation between repetitions. These songs became incredibly dull after the seventh or eighth recreation of the exact simple phrase. 

Additionally, West’s performances, in particular, gave an impression of inexperience. His sung verses were pitchy and unconfident, and his rap verses sounded clunky and needed a more coherent rhythm. At this point in the listening process, I was irritated and desperate for the album to end as soon as possible.

However, the seventh track, “Do It, ” was a pleasant surprise. The song featured a mixture of interesting beats and engaging rap patterns that needed to be more present in the previous tracks. The song had a structure and a groove that was a treat to hear.

Most tracks were not as remarkably unpleasant as the album’s first half. Still, they had similar issues with verses that sounded inexperienced and uninteresting in instrumental production. There was some R&B influence in “Burn” and folk influence in “Beg Forgiveness,” but these tracks were still forgettable and unoriginal. 

West’s concerning use of themes in his lyrics drew me away the most from the music. Throughout the album, West references Alzheimer’s disease, school shootings, the Russo-Ukrainian War and the Me Too Movement while praising himself. West also goes out of his way to jokingly defend his antisemitic comments in the lyrics, which is strikingly inappropriate and offensive. His final track, “King,” ends the album with a defiant declaration that West is “still the king” despite it all. Unfortunately, West is too bold to claim a title he did not earn with this underwhelming album.

“Avatar: The Last Airbender” is one of the most beloved cartoon classics of the 2000s, and is still widely loved by millions of fans to this day. The series ranks number seven on IMDB’s chart of top TV shows and continues to garner between 2.5 to three million monthly streams on Netflix.

The “Avatar: The Last Airbender” animated series, released in 2005, managed to build a rich world with expertly crafted character development that showcased what an animated series could be if executed properly. After seeing its success and timeless appeal, it is no surprise that film studios and platforms have attempted to recreate the magic through a remake.

The live-action series was released on Feb. 22, and is another attempt to capture the magic of the original series for a new audience. The original series follows Aang, the Avatar, and his friends Katara, Sokka and Toph as they try to stop the Fire Nation’s attacks on other nations.  Students have shared how the new series is entertaining, but lacks the charm of the original series.

“I wouldn’t say I hate the remake, but I would definitely never choose it over the animation,” senior Rushi Jain said.

There has been massive discussion and controversy surrounding the live action series. Longtime fans feel the changes made to the plot structure and characters undermine the development present within the original series. Fans became even more concerned when, according to Time, the original creators, Michael Dante DiMartino and Bryan Konieztko, left the production in 2020 due to “creative differences.”

One of the most talked-about character changes both in pre-production and after release was the removal of Sokka’s sexism at the beginning of the show. Many fans have argued that this completely undermines the lesson the show was trying to teach young audiences as it pointed out the flaws in Sokka’s worldview.

“Sokka’s sexism is integral not only to his plot but Katara’s and by removing it, they’ve changed what made these characters so fundamentally different from parallels seen in other media,” Jain said. “Katara went from an icon of feminism, breaking the boundaries that her village and society put on her, to someone who is simply complacent; a large part of it is because sokka’s lack of sexism provides a lack of motivation to want to push these boundaries.”

Ian Ousley, the actor who portrays Sokka, spoke out against the backlash surrounding changes to his character in defense of the new series in an interview with Entertainment Weekly. Still, students point out how by removing a character flaw at the beginning of the series, the new series is taking away an integral part and detracting from development. 

“They shouldn’t have gotten rid of sokka’s misogyny, it’s such an important lesson for him to learn and such a crucial part of his character development. The message the original show sends with the Kyoshi warriors is so, so, so important especially to young audiences and they really should not have removed that part,” senior Nitya Donthi said.

Casting has also been a major discussion throughout the production of the live-action remake of “Avatar: The Last Airbender,” especially considering the massive controversy surrounding M. Night Shyamalan’s “The Last Airbender” film. The 2010 live-action film was blasted for its initial casting of four white actors in the main roles, with the final version having white actors portraying the three heroes of the film. Fans were outraged by these casting decisions, considering the clear cultural and ethnic identities of these characters.

According to Entertainment Weekly, the Netflix adaptation’s showrunner, Albert Kim, did not watch the 2010 adaptation on purpose, but was aware of the film’s criticisms going into the project.

“I knew what fans didn’t like about it in general, but those kinds of pitfalls weren’t hard to avoid. For instance, an authentic version of the casting, that’s something that we would’ve done regardless,” Kim said in an interview with EW.

There was fear that Netflix’s remake too would suffer from the same issues, however, it appears that the show’s creators have been more conscious in their casting decisions. Fans were relieved to see that the main cast of the show all come from Asian or Indigenous backgrounds.

“I think actors who can embody the essence of their characters is really up there in terms of priority. For ATLA it was vital to cast people from Asian and Indigenous backgrounds because the show draws such heavy inspiration from these cultures, and the original characters reflect those identities. For the most part, the casting directors did well trying to pay homage to the cultures the show is about,” Jain said.

Students agree it is fantastic to see two indigenous women in leading roles, with actresses Kiawentiio Tarbell and Amber Midthunder portraying Katara and Princess Yue, respectively. This is especially true considering that, according to a 2023 article published by The Hollywood Reporter, a study by the Annenberg Inclusion Initiative found that there was only one Native American protagonist in the top 1,600 theatrical films from the last 16 years. 

Remakes often do not live up to the hype of their animated counterparts, with fans feeling that the portrayals of their favorite characters and stories fall flat. With changes to characters and plots, remakes are often seen as downgrades from their originals. Unfortunately, this seems to be the case with Netflix’s “Avatar: The Last Airbender” live-action series.

“I’ve seen the first three episodes, and I have mixed feelings about the remake. Visually, it’s a great translation from the original. The set design and costumes are perfect. I think the story and characters fall a little flat though, it feels pretty rushed and many of the characters just aren’t as interesting as they were in the original series,” Donthi said.